Slapstick also became a common element in animated cartoons starting in the 1930 examples include Disney's Mickey Mouse and Donald Duck shorts, Walter Lantz's Woody Woodpecker and The Beary Family, MGM's Tom and Jerry, the unrelated Tom and Jerry cartoons of Van Beuren Studios, Warner Bros. Silent slapstick comedy was also popular in early French films and included films by Max Linder, Charles Prince, and Sarah Duhamel. Chaplin started his film career as a physical comedian, and his later work continued to contain elements of slapstick.īuilding on its later popularity in the 19th and early 20th-century ethnic routines of the American vaudeville house, the style was explored extensively during the "golden era" of black and white movies directed by Mack Sennett and Hal Roach that featured such notables as Charlie Chaplin, Mabel Normand, Marx Brothers, Laurel and Hardy, Abbott & Costello, and Three Stooges. Fred Karno Ī slapstick scene from the 1915 Charlie Chaplin film His New Job. Any device that cannot be operated or used without inflicting unmerited pain and injury should be excluded. Orders to stop the slapstick nuisance should be issued by the police and the Asbury Park carnival commissioners. Slapsticks are the latest "fun-making" fad for masque fetes. Girls used a stick ripped with feathers to tickle the faces of young men, and they retaliated vigorously with the slapstick.Īn editorial in the Asbury Park Press, New Jersey, said in 1914: The carnival spirit, for the most part tempered by high good humor, at times verged on rowdyism. they used the slapstick to the extreme embarrassment of many women. The slapstick, so long indispensable to low comedy, found a new use among the crowds. Use of the slapstick in public places was a fad in the early 20th century.ĭuring the 1911 Veiled Prophet Parade in St. In Punch and Judy shows, which first appeared in England on, a large slapstick is wielded by Punch against the other characters. Comedy routines also featured heavily in British music hall theatre which became popular in the 1850s. In early 19th-century England, pantomime acquired its present form which includes slapstick comedy: its most famous performer, Joseph Grimaldi-the father of modern clowning-would partake in slapstick, with the Smithsonian stating he "fought himself in hilarious fisticuffs that had audiences rolling in the aisles". Shakespeare incorporated many chase scenes and beatings into his comedies, such as in his play The Comedy of Errors. Slapstick comedy's history is measured in centuries.
Advertisement for Punch and Judy showing Punch with his slapstick (1910)
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